Tim is getting technical today, looking at vibrant (and lurid) weaponizations of Color Cinematography. Taxi Driver might be gritty in general, but it along with The Hunt for Red October and Niagra show us a different way from the dull, brown, arid cinematography of modern blockbusters.
Taxi Driver: Color Cinematography
Previous
Previous
The Marshall Mathers LP: Check the Technique
Next
Next